Late
in the 1960s the practice of political campaigning in the United States
began to be transformed. New techniques meant that it was increasingly
possible to disseminate messages to extraordinary numbers of potential
voters, tailored to the interests and views of particular
constituencies. At the same time attitudes were in flux, a consequence
of the past decade’s social upheavals, and the old party machines were
declining in influence. All these factors combined to accentuate the
established tendency in political strategy to accentuate the negative.
When
journalist James Perry wrote about The New Politics in 1968 his focus
was on technique and not about how protests, demonstrations, civil
disobedience, and community organizations might be shaking up the old
elite. He explained how polling and marketing were becoming more
sophisticated, and even drew attention to the potential uses of
computers. Perry described how the moderate George Romney was taking
advantage of these techniques in the race for the 1968 Republican
presidential nomination. By the time the book was published, however,
Romney’s campaign had collapsed, having failed to connect with voters.
The new techniques could only take you so far.
The importance of a
media image had been underlined in different ways in the previous two
elections. John Kennedy had famously gained an advantage over Richard
Nixon in the televised presidential debate in 1960, and then the
possibilities of negative advertising had been underlined by one used by
the Democrats against Barry Goldwater in 1964. This showed a small girl
counting daisies as a missile countdown began leading toward a nuclear
explosion, with President Johnson in the background urging peace. This
became identified as a turning point in technique. It played on an
established image of Goldwater’s recklessness. The appeal of the ad was
emotional. It contained no facts and Goldwater’s name was not mentioned.
The
limitations of technique when combined with an uncertain message were
illustrated by Nixon’s 1968 Presidential campaign. Joe McGinnis’s
“Selling of the President” captured the idea that someone so
unprepossessing could be turned into a marketable political product. The
aim was to attach a positive, moderate image to Nixon. But this
cautious approach was not wholly successful. The margin of victory was
surprisingly narrow.
To
Kevin Phillips, a young lawyer with an interest in ethnography, who
worked for Nixon in 1968, the candidate’s failure was in not recognizing
the true opportunities created by the turmoil of the 1960s. His The
Emerging Republican Majority was long and analytical but the underlying
message was straightforward. The country had been dominated by a
liberal establishment that was now old and out of touch, “a privileged
elite, blind to the needs and interests of the large national majority.”
Against the New Left’s idealism and the old progressive hope that
ethnic differences could be transcended, Philips asserted that these
identities were strong and enduring. While Jews and blacks might go
with the Democrats, the minorities with a more Catholic
background—Poles, Germans, Italians—were lining up against the
liberals. Though immigrant communities once saw the Democrats as a
defense against the Protestant Republican establishment in the North,
now their children saw the Democrats as hostile. In 1970, two Democrat
pollsters, Richard Scammon and Ben Wattenberg, also warned that the
Republican majority was not yet in place but could be if the Democrats
did not acknowledge anxiety among their natural constituents about crime
and permissiveness. Instead, the Democrats moved to the left, with
young activists pushing those issues that alarmed centrist voters, thus
marginalizing the party’s former establishment.
Ronald Reagan saw
how this new conservatism could be turned to his advantage. During the
1980 election he gained support among groups essential to this new
Republican majority. This required an appeal to Southern voters, who had
to be weaned away from Jimmy Carter—one of their own. While carefully
avoiding overt racism, Reagan began his campaign in Philadelphia,
Mississippi, a town notorious for the murder of three civil rights
workers in the 1960s. Standing beside a known segregationist, Reagan
stressed his belief in “states’ rights,” code for the obstruction of
black advances. It also required a pitch to the religious right.
Reagan
concluded his acceptance speech in 1980 with a moment that was
apparently spontaneous although actually carefully prepared. He had been
wondering, he said, whether to include some thoughts as an addition to
the distributed version of his speech. “Can we doubt,” he then asked,
“that only a divine Providence placed this land, this island of freedom,
here as a refuge for all those people in the world who yearn to breathe
freely.” Carefully he turned his presidential campaign into a religious
crusade. He asked for a moment of silent prayer and concluded with what
became his customary “God bless America.” As David Domke and Kevin Coe
show in “The God Strategy,” a new religious politics was born. This
ploy elicited a positive reaction among two-thirds of Americans. Reagan
knew before he stood up that if he could send the right message he would
get the support of an increasingly powerful evangelical bloc.
The
man who came to be credited as ensuring that the new conservative
majority survived the 1980s was Lee Atwater. He made his name as a
Republican political activist in the South during the 1970s and then was
a leading figure in Reagan’s 1984 campaign before managing Vice
President Bush’s successful campaign of 1988. He was struck down
suddenly by a brain tumor in 1991, at the age of 40.
Atwater was
an intriguing figure. He was charming and charismatic, but also devious
and manipulative. With his existentialism and casual lifestyle he
appeared to be at one with other student radicals of his generation. He
also had a musical affinity with black culture. In his case, being
rebellious and anti- establishment led to Republicanism. “The young
Democrats were all the guys running around in three-piece suits, smoking
cigars and cutting deals,” he later observed, “so I said ‘Hell, I’m a
Republican.’” He added that this was also “a response to what was going
on in the early ’70s. I resented the way the left wing claimed to have
captured the hearts and minds of American youth. They certainly hadn’t
captured mine.” Being a Republican in the South put him in the position
of insurgent. Victory could not be based on the issues, so it had to be
based on character. “You had to make the case that the other candidate
was a bad guy.” His biographer, John Brady, describes how Atwater
marketed himself as “a Machiavellian political warrior, skilful at using
ad hominem strategies and tactics, characterized by personal attacks,
dirty tricks, and accentuating the negative.”
Atwater’s timing was
significant in another respect, as he entered politics when
opportunities were opening up for professional strategists. The
structure of American politics, with its numerous elections and constant
campaigning, created opportunities for those who combined an
understanding of the mechanics of getting out the vote with the
possibilities of modern communications and a flair for campaigning. His
reputation as one able to manipulate the “wedge” issues connected with
race and crime was confirmed by the ruthlessness with which he
disposed of the Democratic nominee in 1988, Michael Dukakis. He grasped
how a carefully contrived stunt or a hard-hitting advertisement could
become a talking point for days and reframe the voters’ views of a
candidate.
Atwater was an intense student of strategy, a regular
reader of Machiavelli who liked to have at hand Clausewitz’s “On War.”
Sun Tzu was his favorite. He claimed to have read it at least twenty
times. Quotes from the “Art of War” were included in the program for his
memorial service. “There’s a whole set of prescriptions for success,”
he observed in 1988, “that includes such notions as concentration,
tactical flexibility, the difference between strategy and tactics, and
the idea of command focus.”
Craftiness could reap dividends,
especially if the opponent was playing a less imaginative game.
Atwater insisted on thorough research of the opponent (“know the
enemy”), so that he could target weakness. Likewise, awareness of his
own candidate’s vulnerabilities was important for defensive purposes. In
helping Bush gain the Republican nomination, he exploited Senator
Robert Dole’s known temper and managed to get under his skin (“anger his
general and confuse him”), and then confounded Dukakis by attacking him
in his home state Massachusetts on one of his preferred issues, the
environment. Dukakis was forced to devote resources to an area in which
he had felt safe (“move swiftly where he does not expect you”).
As
the traditional ideological element, and party discipline, waned in
American campaigns, more depended on the qualities of individual
candidates. Strategy for elections was like that of battles in being
geared to one-off, climactic duels. Elections were zero-sum games, so
that what one gained the other must lose. This gave the contest its
intensity. Given the size of the electorates, personal contact with the
voters was impossible and so campaigns had to be conducted through the
media. They were competitions of character as much as policy. Everything
that happened must be explained in a way that served a larger
narrative. Through the art of “spin” innocent candidates could be
tarnished with an undeserved label while guilty parties could escape
untainted, the fake and the true could be muddled, and the accidental
could become deliberate as the planned became happenstance.
For
Bush’s presidential campaign of 1988, the election had to be about
Democrat Michael Dukakis rather than Bush, who was assumed to suffer
from his privileged background and his association with some of the less
savory moments of the Reagan presidency. Initially the polls went
against Bush. Rescue came in the form of Willie Horton, a
Massachusetts prison inmate, who committed armed robbery and rape
after being let out on a weekend furlough program that Dukakis had
supported as governor. While sparring for the Democratic nomination, Al
Gore had mentioned that Dukakis had handed out “weekend passes for
convicted criminals.” Nothing more came of this, but Atwater’s team took
note, researched the issue, and saw how badly it could damage Dukakis.
“Willie Horton has star quality,” exclaimed Atwater, “Willie’s going to
be politically furloughed to terrorize again. It’s a wonderful mix of
liberalism and a big black rapist.” Ronald Reagan had established a
similar plan in California, and the one in Massachusetts was set up by
Dukakis’s Republican predecessor. Although Dukakis did not want to
abandon the policy, he had agreed to tighten it when it involved
first-degree murderers. Yet this was turned into a story about Dukakis
as a weak liberal making a habit of releasing rapists and murders to
commit crimes. The main ad introducing Horton was not an official part
of the Bush campaign, but Republicans followed it up remorselessly
(Illinois Republicans: “All the murderers and rapists and drug pushers
and child molesters in Massachusetts vote for Michael Dukakis.” Maryland
Republicans had a flier showing Dukakis with a fearsome-looking Horton:
“Is This Your Pro-Family Team for 1988?”). Horton was used to address
issues of crime and race, the latter more subliminally. Dukakis’s image
of being indifferent to crime was reinforced when he answered a question
in a presidential debate about how he would respond to his wife being
raped and murdered by restating his opposition to capital punishment.
Although by the time the ad appeared, Bush was already ahead of Dukakis,
the Democrat later said that the failure to respond was “the biggest
mistake of my political career.” In some respect the impact of the
negative campaigning was overstated because Dukakis had run such a
lackluster campaign. The Clinton campaign in 1992 noted well the
consequences of failing to respond to negative, personal attacks, as if
it would be undignified to offer more than a disdainful silence.
Democrats
had made their own contributions to political strategy. One, which
pre-dated Atwater, was to recognize that elections were only one moment
in a stream of activity. Intensive campaigning might culminate in an
election, but that did not mean that the candidate could get on with the
business of governing, the ostensible purpose of all this effort. Jimmy
Carter’s campaign manager, Hamilton Jordan, advised him to start as
early as possible to get name recognition and the funding to get
involved in the first state primaries. The journalist Arthur Hadley
identified the “Invisible Primary” as the period between the end of one
election campaign and the formal start of the next. The natural next
step was to the “permanent campaign,” a concept introduced by Pat
Caddell (Carter’s pollster) in a memo written in December 1976. “Too
many good people”, he wrote, “have been defeated because they tried to
substitute substance for style; they forgot to give the public the
kind of visible signals that it needs to understand what is happening.”
According to Caddell, “governing with public approval requires a
continuing political campaign.”
One imperative behind the
permanent campaign was the intensity of the daily news cycle and
evidence of the costs of failure to deal with negative material as soon
as it first appeared. The sense that the daily narrative mattered at
least as much as and possibly more than the business of policy formation
and government pushed short-termism to its limits. In 1992, the lesson
the Clinton campaign drew from the Willie Horton episode and the general
ease with which Democratic nominees had been blown aside in the
previous two elections was that there must be an immediate and
aggressive riposte to any negative campaigning from the opposition. As
soon as stories of Clinton’s infidelity surfaced during the primaries,
the team was able to swing into action and deflect attention away from
them.
Clinton’s campaign manager James Carville recalled that
while he began by trying to “look at things in an analytical,
calculating way and not let my own emotions get in there,” in practice
“it never works. I end up hating the opposition, I hate the media, and I
hate everybody who is not completely swept up in getting my candidate
elected.” His preference was to be on the offensive. It was much more
“psychically rewarding” to “slash the opposition than to cobble together
another round of gushy, flag-waving, isn’t-our-guy-great ads.”
In
a book written with Paul Bagala, another veteran of the 1992 campaign,
Carville explained his philosophy by linking it to the demands of the
media, which were only interested in scandals, gaffes, polls, and
attacks. The only hope of controlling the agenda was going on the
attack. Attacks could be prepared over time, waiting for the right
moment to pounce, but timing was still essential, linked to both the
progressive contraction of the news cycle, which created a media
appetite for a new story even before the last one had fully worked its
way through, and to the small chunks of time allowed by broadcasters for
any story. In 1968, each candidate could be heard without interruption
on network news for 42.3 seconds; by 2000, the length of a sound bite
was 7.8 seconds.
This put a premium on accuracy, agility, and
flexibility. There was no time for the “paralysis of analysis” and no
“second chance to make a first impression.” The original media take was
the one that would last, so it was important to be the first in the news
cycle and not the follow-up. Once a judgment was made and acted upon,
there could be no second thoughts; hesitation would be fatal. To frame
the debate, the core message must be simple and repeated relentlessly.
Communication required memorable stories: “Facts tell, but stories
sell.” Carville’s team worked the media continually, making sure that
the right messages were received after the debates and that nothing
negative about the Bush campaign was missed. Having noted Dukakis’s
fate, a rapid-response team was set up to respond to any challenge to
the candidate. Even as Bush was delivering his acceptance speech in
1992, point-by-point rebuttals were being sent out. By the time of the
candidates’ debates, knowledge of Bush’s stances and his record in
office was leading to “prebuttals,” countering his claims before he
actually made them.
The steady domination of negative campaigning
at all levels of American politics reflected the conviction of
candidates and campaign strategists that it worked, especially when
races were tight and money was not a major constraint. Negativity would
work less well, however, if the messages were too shrill, crude
“mud-slinging”, or irrelevant to current concerns, such as a riotous
youth or past infidelities. The experience of the past two decades, and
especially President Obama’s two victories, demonstrates the techniques
of the modern campaign strategist, from sophisticated polling to
targeted adverts and careful narratives, can only make a decisive
deference when attention is also paid to shifts in popular moods and
attitudes. What worked for Atwater in the 1980s could not work for his
successors because their messages appealed to a shrinking segment of the
American population.
Adapted from “Strategy: A History” by Lawrence Freedman (New York: OUP, 2013). All rights reserved.
Lawrence Freedman is the author of Strategy: A History, just
published by Oxford University Press. He has been Professor of War
Studies at King's College London since 1982, and Vice-Principal since
2003. Elected a Fellow of the British Academy in 1995 and awarded the
CBE in 1996, he was appointed Official Historian of the Falklands
Campaign in 1997. He was awarded the KCMG in 2003. In June 2009 he was
appointed to serve as a member of the official inquiry into Britain and
the 2003 Iraq War. Professor Freedman has written extensively on nuclear
strategy and the cold war, as well as commentating regularly on
contemporary security issues. His most recent book, A Choice of Enemies:
America Confronts the Middle East, won the 2009 Lionel Gelber Prize and
Duke of Westminster Medal for Military Literature.
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